Medea, in Medea, and Nora, in A Dolls Ho rehearse, are both women who be to expect badly at the hands of their conserves in twain antheral-dominated societies; the spring in past Greece, the latter in nineteenth cytosine Norway. Each does something big for her husband involving personal sacrifice, for which she expects trus twainrthy preaching in return, just when this is not forthcoming, how do they play off? Do they accept the roles of accomplished wives, demure and weak? Or do they rebel and extend un effectedly? Medeas culture fit(p) that women had nigh no rights, and were regarded as little to a greater extent than possessions: we adjudge to pervert a husband [and] what we buy is someone to lord it oer our body. Although Noras culture allowed women more rights, they were still forbidden received privileges; for example, a married woman cant buy out without her husbands consent. This shows the male dominated societies the two women lived in, and the subordinate role the wife was expected to play. Medea was not, however, quite the conventional female of her culture for she is set forth as, a lioness, not human, unquiet than Tyrrhenian Scylla. Her use of masculine wording - I would rather involution third times, - suggests she is almost male despite beingness a model wife of her time: I have borne you sons.
Nora also acts unconventionally for her era, [borrowing] without her husbands consent, but is still a stereotypical wife in a sense, playing with her children and being her husbands inferior, a featherbrain and skylark. The sacrifices do by Medea for her husband Jason are considered sinister arts in her society, and travail her banishment. It is arouse to note that Medea made those sacrifices because her heart was, smitten with make out for Jason. She even out lists them to Jason: it was I... If you expect to get a respectable essay, order it on our website:
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